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Thread: D A B A N G G !!!!!!!!!!!!!!!!! Dabangg Opens To Earth Shattering Response !!!!!

  1. #1

    Default D A B A N G G !!!!!!!!!!!!!!!!! Dabangg Opens To Earth Shattering Response !!!!!

    Friday 10th September 2010 11.00 IST

    Boxofficeindia.Com Trade Network



    Dabangg opened this morning to an earth shattering start all over despite bad weather in the North trying to play spoil sport. The first shows opened at around 9.00 am and as expected the response simply mind boggling. Last year Three Idiots started shows as early as 6.30 am in the morning but this was not the case with Dabangg as very early morning shows have a limited turnout. The ticket rates of Dabangg have also not been hiked like for Three Idiots. Some collections from major theatres for first show are as follows.



    Cinemax Thane (9.30 am) - 15,500 (100%)

    Big Odeon Delhi (10.30 am) - 53,500 (100%)

    Wave Raja Garden Delhi (10.15 am) - 22,100 (100%)

    Wave Ludhiana (10.15am) - 38,500 (100%)

    Wave Ludhiana (10.45am) - 38,500 (100%)




    Wave Ludhiana is also house full for the 11.30am show. This is a very good sign as collections are huge in East Punjab which is a multiplex circuit and also a circuit where Salman Khan films tend to under perform. Wanted was weakest in Punjab compared to the rest of India. The single screen figures are likely to be like nothing before. __________________
    Lol
    DuDe
    ~yuvraj~
    kelavan

  2. #2
    FK Citizen Johny's Avatar
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    ithenthayith........

  3. #3

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    Dabangg The First Day Numbers It Chases



    Friday 10th September 2010 18.00 IST

    Boxofficeindia.Com Trade Network



    Dabangg has taken a thunderous bumper opening all over India and it is pretty clear that it is going to be the first or second biggest first day in the history Hindi cinema. Dabanng to be number one will have to cross the Three Idiots day one figures. The day one territorial numbers of Three Idiots that Dabangg chases are below.



    Mumbai - 5.22 crore

    Delhi/UP - 2.39 crore

    East Punjab - 1.10 crore

    West Bengal - 72 lakhs

    Bihar - 18 lakhs

    CP Berar - 53 lakhs

    CI - 48 lakhs

    Rajasthan - 68 lakhs

    Nizam - 70 lakhs

    Mysore - 60 lakhs

    Tamil Nadu/Kerala - 20 lakhs

    Assam - 13 lakhs

    Orissa - 7 lakhs

    TOTAL - 13 crore




    As per early indications many of these day one circuit records of Three idiots are going to fall but it will be Mumbai collections that will determine whether Dabangg crosses Three Idiots. Three Idiots was just out of this world in the Mumbai circuit especially in Mumbai city and Pune and if Dabanng can get to within 10% of Three Idiots Mumbai figure of 5.22 crore it is likely to become the biggest opener ever.
    Lol
    DuDe
    ~yuvraj~
    kelavan

  4. #4

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    Review idadei.....
    Second chance..?

  5. #5

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    Quote Originally Posted by KHILADI View Post
    Review idadei.....
    njan idam oru 2-3 days time tharoo...

  6. #6

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    Quote Originally Posted by kallan pavithran View Post
    njan idam oru 2-3 days time tharoo...
    Tharoolla..Innidanam
    Second chance..?

  7. #7
    FK Citizen Dylan's Avatar
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    all-time blockbuster aakumennaanallo soochana... breaking all existing records.
    Be kind, rewind.

  8. #8

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    Taran Adarsh, September 8, 2010 - 15:04 IST


    The fight between good and bad has been the fodder of many a Hindi film of 1970s and 1980s. In fact, it wouldn't be erroneous to state that these films dominated the cinema of yore and a lot of us, who have grown up on masala films/wholesome entertainers, will vividly recall the serpentine queues outside cinema halls and a mad scramble to book the tickets of those films. Hardcore masala films were relished with glee by the audience then.

    However, for some inexplicable reason, masala films became extinct or should I say, disappeared from the face of Hindi cinema over a period of time. GHAJINI and WANTED revived this genre, bringing back memories of the bygone era. Now DABANGG takes this genre one step ahead.

    Write your own movie review of DabanggBe forewarned. DABANGG is rustic, has loads of action, harps on the age-old mother-son and varied relationships [half-brother, step-father], eventually turns into a vendetta fare, has a number of songs placed smartly in the narrative [including an item number]... but the packaging is slick and polished. Sure, it's old wine, but packed in a brand new bottle, with a new brand ambassador [Salman Khan] endorsing this masalathon.



    Most importantly, it has Salman like never before. Breathing fire and venom, Chulbul Pandey aka Robinhood Pandey taps Salman's star power like no film has and the result is sheer magic. In fact, DABANGG stands on three pillars - Salman's star power, smashing stunts and super music.

    Final word? Salman fans, rejoice! You walk in DABANGG with 100% expectations and you exit with 200% gratification. Entertainment guaranteed. This film will create a pandemonium of sorts, a mass hysteria, crushing old records and setting new benchmarks at the box-office.

    Set in Uttar Pradesh, DABANGG is a story of Chulbul Pandey [Salman Khan], a totally fearless but corrupt police officer with unorthodox working methods. But even the most fearless at times face a tough fight with their innermost demons. Chulbul has had a bitter childhood. His father passed away when he was very young, after which his mother [Dimple Kapadia] married Prajapati Pandey [Vinod Khanna]. Together, they had a son Makhanchan [Arbaaz Khan].

    Prajapati favors Makhanchan, which does not go down well with Chulbul. He decides to take control of his destiny and detaches himself from his step-father and half-brother. His sole attachment is his mother. However, after his mother's demise and an unsuccessful attempt to mend wounds, Chulbul snaps all ties with his step-father and half-brother.

    Rajo [Sonakshi Sinha], with her unique perspective of life, enters his world and turns life upside down. Chulbul starts to see life more positively and also gets sensitized to the value of a family. But his detractors, especially the dubious Cheddi Singh [Sonu Sood], have their own vested interests and emerge as spokes in the wheels, putting one brother against the other. Makhanchan ends up carrying out an act oblivious to the consequences.

    When Makhanchan realizes he has been used, he turns to Chulbul. Will Chulbul take his extended hand? Will the brothers be able to thwart their detractors?

    The job of a promo is to give a gist of the film and prepare the audience well in advance about what to expect when they saunter into an auditorium. The promos of DABANGG have sent the right signals to the audience about it being a paisa vasool entertainer. Let's face it, DABANGG has nothing ground-breaking to offer as far as its plot is concerned. We've visited similar stories in the past, but what makes DABANGG shine, and shine brightly, is Salman's star power, which camouflages the aberrations wonderfully. The darling of the masses has been cast in a role that his fans love to see him in, which explains why this film works from start to end.

    Like I pointed out earlier, DABANGG is special for two more reasons: S. Vijayan's stunts and Sajid-Wajid's music, with an additional song by Lalit Pandit. Talking of action scenes, Salman's introduction at the start and the fight-to-finish in the climax will send the masses in frenzy. To state that the action scenes are outstanding, especially the fight in the finale, would be an understatement. In the finale fight, when Salman's shirt tears apart and the rippling muscles and the bare-chest fight ensues, mark my words, it will lead to chaos at mass-dominated centres, especially at single screens. The climax will be one of the prime reasons for repeat viewing, for sure.

    It's difficult to accommodate music in an action film, but Sajid-Wajid come up with a melodious score. The title track, 'Tere Mast Mast Do Nain' and 'Munni' [composed by Lalit Pandit] are the icing on the cake.

    Director Abhinav Singh Kashyap is in his element. He's made an out and out entertainer with an eye at the masses and he succeeds in his endeavour. Doing justice to vintage formula is no cakewalk, let's not forget. Besides, the director stays away from going overdramatic while handling the dramatic and emotional moments. This explains why you don't exit the theatre with a spinning head. Mahesh Limaye's cinematography is perfect. I'd like to make a note of the editing [Pranav V. Dhiwar], which is super-slick in action scenes. Dialogue, especially those delivered by Salman, will be greeted with claps and whistles. Especially the one 'Itne chhed karunga'.

    Salman Khan is the boss, when it comes to playing to the masses. This film reaffirms this truth. The role provides him ample opportunity to prove his star power and he does it with remarkable ease. Let me put it on record. DABANGG is yet another landmark film in his career, besides MAINE PYAR KIYA, HUM AAPKE HAIN KOUN, JUDWAA [tapping the funny side], TERE NAAM [tapping the emotional side] and WANTED.

    Sonakshi Sinha looks fresh, acts confidently and pairs off very well with Salman. Most importantly, she delivers the right expressions and is not overpowered by the galaxy of stars in the cast. Arbaaz Khan is efficient. He underplays his part well. Sonu Sood is electrifying, matching up to Salman at every step. In fact, the fight in the finale between Salman and Sonu is awe-inspiring.

    Vinod Khanna is excellent in a role that has grey shades. Dimple Kapadia is truly wonderful. Anupam Kher is, as always, good. Ditto for Om Puri. Mahesh Manjrekar doesn't get ample scope. Mahi Gill is alright. Tinnu Anand is effective. Murli Sharma is nice. Malaika Arora Khan sizzles in the 'Munni' track.

    On the whole, DABANGG is a full on entertainer with three aces - Salman Khan like never before, stylish action and super music. It's a foregone conclusion that DABANGG will open huge. As far as the business prospects are concerned, the film will set new benchmarks, so much so that DABANGG will be one of the yardsticks to gauge the level of business in times to come. Sure to fetch an earth-shattering opening, the film will create a pandemonium at the box-office, cementing the status of Salman Khan as the darling of the masses and making the distributors laugh all the way to the bank. It has Blockbuster written all over it!


    Taran Adarsh, September 8, 2010 - 15:04 IST


    The fight between good and bad has been the fodder of many a Hindi film of 1970s and 1980s. In fact, it wouldn't be erroneous to state that these films dominated the cinema of yore and a lot of us, who have grown up on masala films/wholesome entertainers, will vividly recall the serpentine queues outside cinema halls and a mad scramble to book the tickets of those films. Hardcore masala films were relished with glee by the audience then.

    However, for some inexplicable reason, masala films became extinct or should I say, disappeared from the face of Hindi cinema over a period of time. GHAJINI and WANTED revived this genre, bringing back memories of the bygone era. Now DABANGG takes this genre one step ahead.

    Write your own movie review of DabanggBe forewarned. DABANGG is rustic, has loads of action, harps on the age-old mother-son and varied relationships [half-brother, step-father], eventually turns into a vendetta fare, has a number of songs placed smartly in the narrative [including an item number]... but the packaging is slick and polished. Sure, it's old wine, but packed in a brand new bottle, with a new brand ambassador [Salman Khan] endorsing this masalathon.



    Most importantly, it has Salman like never before. Breathing fire and venom, Chulbul Pandey aka Robinhood Pandey taps Salman's star power like no film has and the result is sheer magic. In fact, DABANGG stands on three pillars - Salman's star power, smashing stunts and super music.

    Final word? Salman fans, rejoice! You walk in DABANGG with 100% expectations and you exit with 200% gratification. Entertainment guaranteed. This film will create a pandemonium of sorts, a mass hysteria, crushing old records and setting new benchmarks at the box-office.

    Set in Uttar Pradesh, DABANGG is a story of Chulbul Pandey [Salman Khan], a totally fearless but corrupt police officer with unorthodox working methods. But even the most fearless at times face a tough fight with their innermost demons. Chulbul has had a bitter childhood. His father passed away when he was very young, after which his mother [Dimple Kapadia] married Prajapati Pandey [Vinod Khanna]. Together, they had a son Makhanchan [Arbaaz Khan].

    Prajapati favors Makhanchan, which does not go down well with Chulbul. He decides to take control of his destiny and detaches himself from his step-father and half-brother. His sole attachment is his mother. However, after his mother's demise and an unsuccessful attempt to mend wounds, Chulbul snaps all ties with his step-father and half-brother.

    Rajo [Sonakshi Sinha], with her unique perspective of life, enters his world and turns life upside down. Chulbul starts to see life more positively and also gets sensitized to the value of a family. But his detractors, especially the dubious Cheddi Singh [Sonu Sood], have their own vested interests and emerge as spokes in the wheels, putting one brother against the other. Makhanchan ends up carrying out an act oblivious to the consequences.

    When Makhanchan realizes he has been used, he turns to Chulbul. Will Chulbul take his extended hand? Will the brothers be able to thwart their detractors?

    The job of a promo is to give a gist of the film and prepare the audience well in advance about what to expect when they saunter into an auditorium. The promos of DABANGG have sent the right signals to the audience about it being a paisa vasool entertainer. Let's face it, DABANGG has nothing ground-breaking to offer as far as its plot is concerned. We've visited similar stories in the past, but what makes DABANGG shine, and shine brightly, is Salman's star power, which camouflages the aberrations wonderfully. The darling of the masses has been cast in a role that his fans love to see him in, which explains why this film works from start to end.

    Like I pointed out earlier, DABANGG is special for two more reasons: S. Vijayan's stunts and Sajid-Wajid's music, with an additional song by Lalit Pandit. Talking of action scenes, Salman's introduction at the start and the fight-to-finish in the climax will send the masses in frenzy. To state that the action scenes are outstanding, especially the fight in the finale, would be an understatement. In the finale fight, when Salman's shirt tears apart and the rippling muscles and the bare-chest fight ensues, mark my words, it will lead to chaos at mass-dominated centres, especially at single screens. The climax will be one of the prime reasons for repeat viewing, for sure.

    It's difficult to accommodate music in an action film, but Sajid-Wajid come up with a melodious score. The title track, 'Tere Mast Mast Do Nain' and 'Munni' [composed by Lalit Pandit] are the icing on the cake.

    Director Abhinav Singh Kashyap is in his element. He's made an out and out entertainer with an eye at the masses and he succeeds in his endeavour. Doing justice to vintage formula is no cakewalk, let's not forget. Besides, the director stays away from going overdramatic while handling the dramatic and emotional moments. This explains why you don't exit the theatre with a spinning head. Mahesh Limaye's cinematography is perfect. I'd like to make a note of the editing [Pranav V. Dhiwar], which is super-slick in action scenes. Dialogue, especially those delivered by Salman, will be greeted with claps and whistles. Especially the one 'Itne chhed karunga'.

    Salman Khan is the boss, when it comes to playing to the masses. This film reaffirms this truth. The role provides him ample opportunity to prove his star power and he does it with remarkable ease. Let me put it on record. DABANGG is yet another landmark film in his career, besides MAINE PYAR KIYA, HUM AAPKE HAIN KOUN, JUDWAA [tapping the funny side], TERE NAAM [tapping the emotional side] and WANTED.

    Sonakshi Sinha looks fresh, acts confidently and pairs off very well with Salman. Most importantly, she delivers the right expressions and is not overpowered by the galaxy of stars in the cast. Arbaaz Khan is efficient. He underplays his part well. Sonu Sood is electrifying, matching up to Salman at every step. In fact, the fight in the finale between Salman and Sonu is awe-inspiring.

    Vinod Khanna is excellent in a role that has grey shades. Dimple Kapadia is truly wonderful. Anupam Kher is, as always, good. Ditto for Om Puri. Mahesh Manjrekar doesn't get ample scope. Mahi Gill is alright. Tinnu Anand is effective. Murli Sharma is nice. Malaika Arora Khan sizzles in the 'Munni' track.

    On the whole, DABANGG is a full on entertainer with three aces - Salman Khan like never before, stylish action and super music. It's a foregone conclusion that DABANGG will open huge. As far as the business prospects are concerned, the film will set new benchmarks, so much so that DABANGG will be one of the yardsticks to gauge the level of business in times to come. Sure to fetch an earth-shattering opening, the film will create a pandemonium at the box-office, cementing the status of Salman Khan as the darling of the masses and making the distributors laugh all the way to the bank. It has Blockbuster written all over it!

    VAMOS ARGENTINA
    VAMOS MESSIVAMOS MARADONA
    http://fat.gfycat.com/FinishedGenuineGar.webm

  9. #9

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    Box Office Update B.O. update: 'Dabangg' is unstoppable, opens to biggest response of 2010- By Taran Adarsh, September 10, 2010 - 19:11 IST As expected and predicted by this writer time and again, DABANGG opened to an earth-shattering and record-breaking response across the country. The film drew full houses from its first show onwards everywhere. Even at multiplexes, where ceetees and taalis are a rarity, the response to DABANGG was overwhelming, with fans clapping and whsitling at Salman’s intro, Salman’s dialogue [at several places] and of course, the climax fight.

    DABANGG has opened in 1,584 screens in India and in terms of numbers, the film is expected to have a bigger Friday than RAAJNEETI [the biggest opener of 2010, which collected Rs. 10.5 cr. nett on Friday] and should be at par [or bigger] than 3 IDIOTS, which is the biggest opener ever [collected Rs. 13 cr. nett on Friday]. Eid will be celebrated on Saturday, so once can imagine the [grand] business on not just Saturday and Sunday, but also Monday. As per initial trends, DABANGG will be competing with just one film – 3 IDIOTS.

    TOP 5 OPENING FRIDAYS

    3 IDIOTSRs. 13 cr.RAAJNEETIRs. 10.5 cr.KITESRs. 10.5 cr.HOUSE FULLRs. 10 cr.GHAJINIRs. 9 cr.

    TOP 5 3-DAY OPENING WEEKENDS

    3 IDIOTSRs. 41 cr. [incl. Thursday previews]RAAJNEETIRs. 34 cr.MY NAME IS KHANRs. 33.2 cr.HOUSE FULLRs. 32 cr.GHAJINIRs. 30 cr. [4-day wknd. was Rs. 40 cr.]
    VAMOS ARGENTINA
    VAMOS MESSIVAMOS MARADONA
    http://fat.gfycat.com/FinishedGenuineGar.webm

  10. #10

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    SlideShow
    Most Searched Bollywood Actors on internet
    By Nikhil Ramsubramaniam, September 10, 2010 - 09:32 IST




    After the super response to the Top 5 Searched Actresses on the internet feature, we are back with the results of the Top 5 Searched Actors on the internet. If you thought that there were quite a few surprises in store among the Top 5 searched actresses, wait till you check out the results of the Top 5 Searched Actors. This study too was conducted using Google Trends and data for the last 3 years has been taken into consideration

    2008

    ActorSearch Volume IndexReleasesSalman Khan1.00God Tussi Great Ho, Heroes, Hello, YuvvraajShahrukh Khan0.83Bhoothnath, Rab Ne Bana Di JodiAamir Khan0.49GhajiniAkshay Kumar0.43Tashan, Singh Is Kinng, JumboShahid Kapoor0.43Kismat Konnection

    Salman is on top for most of the year and SRK in second place. As for Aamir, there is a considerable difference between his search volume index and that of SRK's and Salman's. Aamir's search volume index however did soar a little higher towards the end of the year when Ghajini released. Also, Akshay showed a slight escalation in August when Singh Is Kinng released. Surprisingly even though Hrithik Roshan had a big release in 2008 in the form of Jodhaa Akbar, he didn't make it to the Top 5 Searched Actors and it is Shahid Kapoor instead who shares the bottom spot with Akshay Kumar.

    Country-wise

    Salman leads in most markets such as Pakistan, India, Bangladesh and UAE while SRK is No.2. However in India, SRK, Aamir, Akshay and Shahid are all placed pretty close. In Morocco, its Shahrukh who is the most searched actor even beating Salman to the top spot.
    VAMOS ARGENTINA
    VAMOS MESSIVAMOS MARADONA
    http://fat.gfycat.com/FinishedGenuineGar.webm

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